Drawing inspiration from the master of 2D molded plywood technology, Alvar Aalto, EDITORA’s chair boasts a distinctive yet simple and refined design. Inheriting the essence of Aalto’s “L-Leg” technique, it utilizes 2D molded plywood. Seven identical plywood pieces are woven together with a single cotton tape, forming a three-dimensional shape. This results in a seamlessly molded structure with unparalleled flexibility and comfort. The subtle variations at both ends align with EDITORA’s design aesthetics. These molded plywood chairs harmoniously blend tradition and innovation.
- Size
W.430 × D.500 × H.710
SH.440
- Material
FRAME: MOLDED BEECH PLYWOOD
SEAT: UPHOLSTERY
BACK: COTTON TAPE
Alvar Aalto, the eminent architect and designer from Finland, is acclaimed for his human-centered designs born from organic forms and profound respect for natural materials.
Aalto pioneered a design philosophy emphasizing the harmonious coexistence of humans and nature. At the core of his exploration was the innovative use of plywood. Plywood, being lightweight, sturdy, and easy to manipulate, became a material through which Aalto sought to integrate human life with the elements of nature, unlocking new realms of creative possibilities. Particularly noteworthy is the “L-Leg” technique he introduced.
The technique of bending a single sheet of plywood into an L-shape integrates strength with aesthetics, embodying Alvar Aalto’s design philosophy. The L-Leg, born after numerous trials and errors, became a foundational technology in his furniture design, influencing many subsequent works.
The most notable example is the “Armchair 41 Paimio“. This chair eloquently embodies Aalto’s design principles through its organic form and the use of the L-Leg technique. With this design, furniture evolved from mere utilitarian items to entities that evoke aesthetic delight. The outstanding design and comfort of the “Armchair 41 Paimio“ have significantly influenced other designers and brands, a resonance palpable in EDITORA’s chairs.
Aalto’s L-Leg technique and the design of the “Armchair 41 Paimio“ showcase new possibilities in design and architecture, encompassing shape, functionality, material utilization, and interaction with humans. Their influence endures to the present day, shaping how we think about and experience living spaces. Insights gained from Aalto’s works are plentiful, and his perspective and methods will continue to serve as crucial pivotal touchstones in the realms of design and architecture.