A leading figure in French Modernist design, Charlotte Perriand’s design principles were enriched by her stint in Le Corbusier’s studio, and earned acclaim for her distinctive take on Modernist design theories, translating them into tangible creations. Her profound affinity with Japanese culture significantly influenced her work. During her initial engagement with Japan in the 1930s, Perriand was captivated by the spiritual essence and design principles inherent in Japanese culture. Her subsequent works often incorporated the aesthetics of Japanese culture, emphasizing harmony with nature, respect for materials, and human-centered design. These influences are evident throughout her body of work.

A prime example is the “Ombre Chair,” designed in 1953. This chair was influenced by Japanese sitting postures and crafted to maximize the beauty of wood. While early versions faced challenges in mass production due to issues of strength and technological limitations at the time, repeated trials over several decades eventually led to its reintroduction.

The philosophy of the “Ombre Chair” is passed down to EDITORA’s table. The table ingeniously turns the structural disadvantage of “flexing” into an advantage. The 21mm glass tabletop’s weight exerts pressure on the legs, allowing slight flexing and adapting to slightly uneven floors. Additionally, the glass tabletop is sandwiched between conical metal fixtures and the legs, enhancing the aesthetic appeal of the structure itself. This table embodies Perriand’s aesthetics and a fusion of Eastern and Western design philosophies.