Eileen Gray, an architect and designer from Ireland, played a pioneering role in modern design in the early 20th century. She moved to Paris after studying art at the Slade School of Fine Art in London. She gained recognition for her furniture and interior design incorporating lacquer craftsmanship learned from the Japanese lacquer artist, Seizo Sugawara.

Her design philosophy aimed to uncover the essence of things. She prioritized not only aesthetic appeal but also functionality and comfort. This resulted in creations that are simple yet refined, showcasing an overall beauty where individual elements seamlessly come together. She skillfully blended industrial design materials with traditional craftsmanship techniques, producing adjustable furniture using innovative materials. Incorporating new materials of the time like stainless steel, aluminum, and glass, she crafted them into beautiful shapes inspired by Art Deco and Oriental designs. Her iconic pieces, such as the “E-1027 Side Table” and “Bibendum Chair,” continue to garner widespread admiration today.

The “Bibendum Chair” takes its name from the character of the tire manufacturer Michelin, featuring a distinctive shape reminiscent of stacked tires. The voluminous cushions create a unique structure that envelops the seated person. Its opulence, simplicity, and innovation have established it as an icon of modern design.

EDITORA’s chair strives to balance form and function. Prioritizing the comfort of the seated individual, they incorporate a respect for new materials and technologies, as seen in Gray’s “Bibendum Chair”. Despite its daring shape, these chairs embody the aesthetics seen in Gray’s user-centric approach.