This chair, crafted with the expertise of metalworking and welding artisans, does more than just offer a place to sit. Notice the intricate structure that effortlessly offers an ever-changing beauty from different angles. The exquisite combination of individual components creates a distinct balance where tension and stability coexist. Inspired by the “Copacabana Chair” by Hungarian designer Mathieu Matégot, the design reflects the challenges of working with pipes bent in three dimensions, enhancing the chair’s appeal with its intricate structure.
- Size
W.590 × D.535 × H.800
SH.450
- Material
FRAME: WB PLATED STEEL & MAPLE
SEAT & BACK: UPHOLSTERY
Mathieu Matégot was born in Hungary in 1910 and moved to France in 1931 after studying art and architecture at the Budapest School of Fine Arts. Serving in the French army during World War II, he miraculously returned from captivity in Germany and resumed his activities, establishing his studio in post-war Paris. Matégot flourished as a furniture designer from 1945 to the 1950s, later transitioning to tapestry design and production in the 1960s. He dedicated about 15 years to furniture production, and the numerous historical masterpieces born during this period still hold high value in today’s market.
One of Matégot’s groundbreaking innovations was the development of “punching metal.” Aiming to combine production efficiency with aesthetics, he punched holes in metal sheets, allowing the metal to take on flexible and sculptural shapes. In the late 1940s, he designed many pieces of furniture using this technique. Matégot’s punched metal was applied not only to furniture and lighting but also to over 200 types of everyday items in France, including trays, magazine racks, and trash bins.
His masterpiece, the “Copacabana Chair,” showcased this new metalworking technique. The chair stands out with a visually striking effect, resembling a single-stroke drawing. The beauty of its unique shape and detailed design captures attention, while its form provides a natural and comfortable fit for the human body.
In the chair designed by EDITORA, the influence of the “Copacabana Chair” is evident. Particularly noticeable are the flowing lines and the use of flexible metal shapes. While inheriting Matégot’s innovative approach, EDITORA expresses its unique aesthetic through a fresh interpretation that considers contemporary lifestyles and needs.